DRUMS OF THE WORLD
Himalaya
Shaman Drum Nepal
Shaman drum / Schamanentrommel Nepal.
"The shaman’s drum is not just a rhythm instrument with which faith healers add an acoustic component to their rituals. It is a self-contained embodiment of the cosmos in which their owners travel in the course of their séances. (...) The drum’s numerous functions—as a musical instrument accompanying the recitation of mythical songs, as a pacemaker of ritual dances, as a vehicle on which the shaman travels through space, as a defensive and assault weapon against negative powers, as a diagnostic and prognostic instrument - make it a kind of all- purpose companion to its owner." excerpt from: MICHAEL OPPITZ : Forschungen an den Rändern der Schrift 26 January – 14 April 2018 exhibition at Galerie Buchholz - Edit Daniel Buchholz
Bibliography:
Oppitz, Michael (2013) : Morphologie der Schamanentrommel.
Oppitz, Michael (2013) : Schamanen im Blinden Land (5 DVDs + 2 CDs)
Pannier, F. (2007) : Art chamanique népalais - Nepalese shamanic art. Galerie leToit du Monde.
Nioradze, G.(1925 ) : Der Schamanismus bei den Sibirischen Volkern. Strecker und Schröder.
Eliade, Mircea (1964) : Shamanism - Archaic Techniques of Ecstasy.
Diószegi, Vilmos ; Hoppál, Mihály (1978) : Shamanism in Siberia. Akadémiai Kiadó, Budapest.
Hoppál, Mihály (1994) : Schamanen und Schamanismus. Pattloch, Augsburg.
Diószegi, Vilmos (1963): Glaubenswelt und Folklore der sibirischen Völker.
Manker, Ernst (1938) : Die Lappische Zaubertrommel - Die Trommel als Denkmal materieller Kultur. Acta Lapponica, I
Manker, Ernst (1950) : Die Lappische Zaubertrommel - Die Trommel als Urkunde geistigen Lebens. Acta Lapponica, VI
Hitchcock, John; Jones, R. (Editor) (1976) : Spirit Possession in the Nepal Himalayas.
Mastromattei, R. ; Farano, F. (2006) : Rta. Sciamani in Eurasia. Il rito che sopravvive.
Riboli, Diana (2000) : Tunsuriban. Shamanism in the Chepang of Central and Southern Nepal
Sales, Anna de (1991) : Je suis né de vos jeux de tambours. La religion chamanique des Magar du Nord.
"The shaman’s drum is not just a rhythm instrument with which faith healers add an acoustic component to their rituals. It is a self-contained embodiment of the cosmos in which their owners travel in the course of their séances. (...) The drum’s numerous functions—as a musical instrument accompanying the recitation of mythical songs, as a pacemaker of ritual dances, as a vehicle on which the shaman travels through space, as a defensive and assault weapon against negative powers, as a diagnostic and prognostic instrument - make it a kind of all- purpose companion to its owner." excerpt from: MICHAEL OPPITZ : Forschungen an den Rändern der Schrift 26 January – 14 April 2018 exhibition at Galerie Buchholz - Edit Daniel Buchholz
Bibliography:
Oppitz, Michael (2013) : Morphologie der Schamanentrommel.
Oppitz, Michael (2013) : Schamanen im Blinden Land (5 DVDs + 2 CDs)
Pannier, F. (2007) : Art chamanique népalais - Nepalese shamanic art. Galerie leToit du Monde.
Nioradze, G.(1925 ) : Der Schamanismus bei den Sibirischen Volkern. Strecker und Schröder.
Eliade, Mircea (1964) : Shamanism - Archaic Techniques of Ecstasy.
Diószegi, Vilmos ; Hoppál, Mihály (1978) : Shamanism in Siberia. Akadémiai Kiadó, Budapest.
Hoppál, Mihály (1994) : Schamanen und Schamanismus. Pattloch, Augsburg.
Diószegi, Vilmos (1963): Glaubenswelt und Folklore der sibirischen Völker.
Manker, Ernst (1938) : Die Lappische Zaubertrommel - Die Trommel als Denkmal materieller Kultur. Acta Lapponica, I
Manker, Ernst (1950) : Die Lappische Zaubertrommel - Die Trommel als Urkunde geistigen Lebens. Acta Lapponica, VI
Hitchcock, John; Jones, R. (Editor) (1976) : Spirit Possession in the Nepal Himalayas.
Mastromattei, R. ; Farano, F. (2006) : Rta. Sciamani in Eurasia. Il rito che sopravvive.
Riboli, Diana (2000) : Tunsuriban. Shamanism in the Chepang of Central and Southern Nepal
Sales, Anna de (1991) : Je suis né de vos jeux de tambours. La religion chamanique des Magar du Nord.