DRUMS OF THE WORLD

Central African Slit Drum















Central African Slit Drum (Democratic Republic of the Congo)

This large slit drum from the Congo is a functional communication and musical instrument designed to be carried and played in front of the body. Its broad, slightly tapering wooden body contains a longitudinal opening through which the interior was hollowed out. The two remaining walls differ in thickness and produce contrasting pitches when struck, allowing rhythmic patterns as well as tonal sequences to be articulated.

A distinctive feature of this instrument is its carrying system. At both sides of the wooden body are carefully carved openings into which wooden spacer bars could be inserted. Together with a rope or strap, these elements allowed the drum to be suspended around the player's body while keeping it securely positioned in front of the torso. The arrangement can be clearly seen in the historical photograph accompanying the object, where two musicians are shown playing comparable slit drums held in this manner.

The photograph shows two men carrying large slit drums with the instruments held horizontally in front of the body. The position of the players and the construction of the carrying system correspond closely with the features preserved on the present drum and demonstrate that the instrument was designed for mobile performance rather than stationary playing.

Slit drums were among the important means of communication in Central Africa. Their contrasting pitches could be organised according to the tonal and rhythmic structure of local languages, enabling trained specialists to reproduce patterns that conveyed information over considerable distances. At the same time, such instruments were used in communal music, dance and ceremonial contexts. Their function therefore extended beyond signalling and included participation in the social and musical life of the community.

The present drum preserves clear evidence of intensive use. The worn wooden surface, the damaged edges of the slit and the traces around the carrying attachments reflect repeated handling and performance. Together with the historical photograph, these features provide an unusually direct insight into the practical use of a Central African slit drum: carried by the musician, fixed before the body and played as both a sounding instrument and a means of communication.


Bibliography:
Bittremieux, Léo: De geheime Sekte der Bakhimba's. Leuven, 1911.
Bittremieux, Léo: La société secrète des Bakhimba au Mayombe. Bruxelles: G. Van Campenhout, 1936.
Boone, Olga: Les tambours du Congo Belge et du Ruanda-Urundi. 2 vols. Tervuren: Annales du Musée du Congo Belge, Ethnographie 1, 1951.
Brincard, Marie-Thérèse (ed.): Sounding Forms – African Musical Instruments. New York, 1989.
Laurenty, Jean-Sébastien: Les tambours à fente de l'Afrique centrale. Tervuren, 1968.
Wassing, R.: Muziek en dans in Afrika. Museum voor Land- en Volkenkunde, Rotterdam, 1960.
Wieschhoff, Heinz: Die afrikanischen Trommeln und ihre außerafrikanischen Beziehungen. Stuttgart, 1933.
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