"All shamanic drums are frame drums made of a wooden lath bent in a circular or oval shape and a membrane stretched over this frame. The drum's numerous functions – as a musical instrument accompanying the recitation of mythical songs, as a pacemaker of ritual dances, as a vehicle on which the shaman travels through space, as a defensive and assault weapon against negative powers, as a diagnostic and prognostic instrument – make it a kind of all-purpose companion to its owner."
Michael Oppitz, Forschungen an den Rändern der Schrift, exhibition at Galerie Buchholz, Berlin, 2018; based on Morphologie der Schamanentrommel, Birkhäuser, Basel, 2013.
"The drum serves the shaman as the preeminently suitable means to recall the dormant treasures of oral literature from memory and perform them for his congregation."
Michael Oppitz, Forschungen an den Rändern der Schrift, Galerie Buchholz, Berlin, 2018. :contentReference[oaicite:0]{index=0}
"The ritual drum of the healers embodies, without writing, the local knowledge of the mountain peoples."
Michael Oppitz, Morphologie der Schamanentrommel, Birkhäuser, Basel, 2013. :contentReference[oaicite:1]{index=1}
"The magical drum appears as a true emblem of the profession."
Michael Oppitz, Le tambour rẽ et son pouvoir, Cahiers d'ethnomusicologie, translated by Isabelle Schulte-Tenckhoff.
Bibliography:
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Oppitz, Michael (2013) : Schamanen im Blinden Land (5 DVDs + 2 CDs)
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